New Zealand’s Marlon Williams has quite simply got one of the most extraordinary, effortlessly distinctive voices of his generation – a fact well known to fans of his first, self-titled solo album, and his captivating live shows. An otherworldly instrument with an affecting vibrato, it’s a voice that’s earned repeated comparisons to the great Roy Orbison, and even briefly had Williams, in his youth, consider a career in classical singing, before realizing his temperament was more Stratocaster than Stradivarius.
But it’s the art of songwriting that has bedeviled the artist, and into which he has grown exponentially on his second album, Make Way For Love, out in February of 2018. It’s Marlon Williams like you’ve never heard him before – exploring new musical terrain and revealing himself in an unprecedented way, in the wake of a fractured relationship.
In early December, Williams and his longtime girlfriend, musician Aldous (Hannah) Harding, broke up -the end of a relationship that brought together two of Down Under’s most acclaimed talents of recent years, who’d managed to navigate the challenges of having equally ascendant – though separate – careers, until they couldn’t.
While personally wrenching, the split seemed to open the floodgates for Williams as a writer.
Williams flipped the script recording-wise as well. After three weeks of pre-production with regular collaborator Ben Edwards, Williams and his backing band, The Yarra Benders, then decamped 7000 miles away, to Northern California’s Panoramic Studios, to record with producer Noah Georgeson, who’s helmed baroque pop and alt-folk gems by Joanna Newsom, Adam Green, Little Joy and Devendra Banhart.
The change of location shook things up and also moves Williams several paces away from “country” – the genre that’s been affixed to him more than any in recent years. Make Way For Love, with forays into cinematic strings, reverb, rollicking guitar and at least one quiet piano ballad, is a more expansive affair.
On the live front, Williams has been a road dog in recent years, touring with everyone from Band Of Horses, City & Colour, Iron & Wine’s Sam Beam, to the one and only Bruce Springsteen. Williams will kick off 2018 with a 50 plus date global tour, taking the music of Make Way For Love far and wide. Delicate and bold, tender and searing, it’s a mightily personal new step.
Now in its fourth year, River Town brings the music of America’s heartland to Bristol. This year’s festival promises a vibrant programme of blues, bluegrass, country and gospel, performed by global icons and rising stars.
Featuring some of the best acts from both sides of the Atlantic, including Graham Nash, Rosanne Cash and The Barr Brothers, River Town hits the road with shows outside Colston Hall at Thekla, St George’s Bristol and The Wardrobe Theatre for over a fortnight of live music celebrating the rich sounds of the deep south.
River Town began in 2015 under the banner of Bristol Americana Weekend and under a co-producing partnership between Colston Hall and St George’s Bristol presented Emmylou Harris & Rodney Crowell, Larkin Poe, Police Dog Hogan, Dan Penn & Spooner Oldham and many more outstanding artists of American roots music.
The festival returned after wide-spread acclaim in 2016 to feature Elvis Costello & The Imposters, Mary Chapin Carpenter and the now internationally famous The White Buffalo.
In 2017 we launched the festival for a third year under the new name of River Town and showcased some of the finest blues, gospel, country and bluegrass, from across the pond and closer to home in Colston Hall, St George’s Bristol and for the first time in O2 Academy. Three UK greats – Paul Carrack, Nick Lowe and Andy Fairweather Low – joined forces in a rare trio performance that celebrated their shared love of American R&B, soul and country. The compelling singer songwriter Martha Wainwright performed along with R&B powerhouse, gospel legend and civil rights icon Mavis Staples. Plus performances by duo The Shires with crossover stars Ward Thomas brought country-pop to Bristol.