Dubkasm – Sound Surgery Masterclass

Presented by Multi-Track

  • Venue:

  • Time:

    19:00
  • Date:

  • Ages:

    16+

Best known for their world famous dubplate anthem ‘Victory’, Dubkasm have become a major part of the international roots and dub movement since the emergence of the UK digital dub sound in the mid-1990s. Famous for their explosive live shows featuring the heavyweight baselines of Sufferah’s Choice radio host Sam Howard (aka DJ Stryda) and firing saxophone of Ben Glass (aka Digistep), the pair have ignited parties on the best soundsystems around the world.

In this final Multi-Track Sound Surgery get 1-2-1 advice on how to tweak your beats, learn new techniques and pick up totally new skills from these exhilarating digital dub legends.

Hosted by producer and DJ Kayla Painter in Colston Hall’s Terrace Bar.

Ages 16+

Timings

Doors: 18:30
Masterclass: 19:00 – 20:00
Q & A with Dubkasm: 20:00 – 20:30
1-2-1-Feedback: 20:30 – 21:00
Networking/sharing: 21:00 – 21:30

1-2-1 Feedback opportunity
There will be some time to receive 1-2-1 feedback on your music from Dubkasm; please bring along any examples of your work on USBs or SoundCloud links etc, and register your interest on arrival.

Due to time limitations this will be done on a first come first served basis.

Post-event networking / music sharing
The Colston Hall Terrace Bar will be open throughout until 21:30 if you would like to  spend time networking or sharing your music with others after the session too.

What is the Sound Surgery Masterclass series?

Multi-Track is Bristol’s into-industry portal which disrupts the norm by applying a fresh approach to learning and provides creative development opportunities to advance the city’s underground music scene.

They present the Sound Surgery Masterclass series, led by influential producers, engineers, MCs and singers, which showcases how these artists create their art and gives guidance to artists on how to be heard above the noise.

To view the full Sound Surgery Masterclass series click here

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