Bournemouth Symphony Orchestra is the resident orchestra at Colston Hall, performing a series of concerts here every year. Since its foundation in 1893 the ensemble has worked with such historic figures as Bartok, Sibelius, Holst, Stravinsky, and Vaughan-Williams, among many others. The orchestra gives over 150 performances each year, collaborating with world-class conductors and soloists keeping them at the forefront of the UK orchestral music scene.
The BSO is proud to serve the communities of South and South West England, as well as appearing on many of the world’s great stages including Carnegie Hall, New York; Concertgebouw, Amsterdam; and Musikverein, Vienna. Since the first pioneering recordings in 1914, the BSO now has over 300 recordings to its name. Releases include a critically-acclaimed collaboration with James Ehnes and the top-selling classical recording of 2012 in partnership with Nicola Benedetti.
Away from the concert hall and recording studio, the orchestra is committed to engaging new audiences through their education and community department, BSO Resonate. BSO musicians also take part in an extensive array of community outreach projects.
Winner of the Conductor prize at the 2013 Royal Philharmonic Society Awards, Kirill Karabits is one of the most dynamic and exciting conductors in the world today. Having studied at the National Tchaikovsky Music Academy in Kiev, he is now principal conductor of Bournemouth Symphony Orchestra, and has conducted them at the BBC Proms and also conducted the final of BBC Young Musician of the Year.
During his time with the BSO, he has also worked alongside Renaud Capuçon, Mark Padmore, Vivian Hagner, Truls Mørk, Stephen Hough, James Ehnes and Steven Isserlis among others. Karabits has made a number of recordings with the orchestra including an all-Schchedrin disc and a Khachaturian album, as well as Tchaikovsky’s Symphony No. 2 and Mussorgsky’s Pictures at an Exhibition. He also conducted the BSO on Nicola Benedetti’s album, ‘The Silver Violin’.
Kirill has conducted throughout the world with orchestras including the BBC Symphony, London Philharmonic, Royal Philharmonic, Orchestre Philharmonique de Radio France, Danish National Symphony Orchestra and the Budapest Festival Orchestra.
Acclaimed worldwide for his technique and musicianship, British cellist Steven Isserlis enjoys a distinguished career as a soloist, chamber musician, educator, author and broadcaster.
As a concerto soloist he appears regularly with the world’s leading orchestras and conductors, recent engagements including performances with the Berlin Philharmonic, Budapest Festival, Philharmonia, Cleveland, Minnesota, and NHK Orchestras. He gives recitals every season in major musical centres, working with pianists such as Jeremy Denk, Kirill Gerstein, Stephen Hough, Alexander Melnikov, Olli Mustonen, Mikhail Pletnev, Andras Schiff, Connie Shih and Dénes Várjon; and plays with many of the world’s leading chamber orchestras, including period-instrument ensembles. Unusually, he also directs chamber orchestras from the cello, in classical programmes.
As a chamber musician he has devised and performed in programmes at many of the world’s most famous festivals and venues, including the Wigmore Hall, the 92nd St Y in New York, and the festivals of Salzburg and Verbier. These specially devised programmes have included ‘In the Shadow of War’, a major series for the Wigmore Hall to mark the centenary of the First World War; explorations of Czech music; the teacher-pupil line of Saint-Saens, Faure and Ravel; the affinity of the cello and the human voice; varied aspects of Robert Schumann’s life and music; and the music of Serge Taneyev (teacher of Steven’s grandfather, Julius Isserlis). For these concerts Steven is joined by a regular group of friends who include the violinists Joshua Bell, Pamela Frank and Isabelle Faust, violist Tabea Zimmermann, and clarinettist Michael Collins.
He takes a strong interest in authentic performance; in addition to working with many of the foremost period instrument orchestras, he gives recitals with harpsichord and with fortepiano. With Robert Levin, playing on original or replica pianos from Beethoven’s era, he regularly performs Beethoven’s complete music for cello and piano in two recitals. He is also a keen exponent of contemporary music, and has premiered many new works, including John Tavener’s The Protecting Veil (as well as several other pieces by Tavener), Thomas Adès’s Lieux retrouvés, Stephen Hough’s Sonata for Cello and Piano Left-hand, Wolfgang Rihm’s Concerto in One Movement, David Matthews’ Concerto in Azzurro, works for cello and piano by Olli Mustonen, and ‘For Steven’ by György Kurtág.
Writing and playing for children is another major interest. Steven Isserlis’ books for children about the lives of the great composers – Why Beethoven Threw the Stew and its sequel, Why Handel Waggled his Wig – are published by Faber and Faber. He has also written three musical stories for children – Little Red Violin, Goldiepegs and the Three Cellos and Cindercella – with music by Oscar-winning composer Anne Dudley; these are published by Universal Edition in Vienna. As an educator Steven Isserlis gives frequent masterclasses all around the world, and for the past seventeen years he has been Artistic Director of the International Musicians’ Seminar at Prussia Cove in Cornwall, where his fellow-professors include Andras Schiff, Thomas Adès and Ferenc Rados. As a writer and broadcaster he contributes regularly to publications including Gramophone and The Guardian, has guest edited The Strad magazine, and makes regular appearances on BBC Radio, most recently as writer and presenter of a documentary about the life of Robert Schumann, and as guest presenter of two editions of Saturday Classics.
His diverse interests are reflected in an extensive and award-winning discography. His recording of the complete Solo Cello Suites by J.S. Bach for Hyperion met with the highest critical acclaim, and was Gramophone’s Instrumental Disc of the Year and Critic’s Choice at the Classical Brits. Other recent releases include the Dvorak Cello Concerto with the Mahler Chamber Orchestra and Daniel Harding; the complete works for cello by Beethoven with Robert Levin on fortepiano, selected for the Deutsche SchallplattenPreis; and recital discs with Thomas Adès and Olli Mustonen. Future releases include Prokofiev and Shostakovich concertos with the Frankfurt Radio Symphony and Paavo Järvi, and recital discs with Stephen Hough and Richard Egarr.
The recipient of many honours, Steven Isserlis was awarded a CBE in 1998 in recognition of his services to music, and in 2000 he received the Schumann Prize of the City of Zwickau. In 2013 he became one of only two living cellists to be inducted into Gramophone’s Hall of Fame.
He gives most of his concerts on the Marquis de Corberon (Nelsova) Stradivarius of 1726, kindly loaned to him by the Royal Academy of Music.